Mystery Monday: Meet Scott Tipton of Comics 101!
Something I’ve been wanting to do for a while on these Monday posts is start introducing bloggers, artists and writers I admire by way of short interviews. It’s a neat platform that allows me to ask questions I have, stroke the egos of some cool people I like, and hopefully introduce you guys to new corners of the web and 3-D world to explore. First up is Scott Tipton of Comics101.com, a site devoted to all sorts of pop cultural ephemera, but that takes its name from Scott’s weekly column in which he gives readers insightful overviews of the 4-color world that enrich the understanding of the medium for avid comic readers, but also allows an entry point for those of us who are new to comics or have been away from them for a while–if you’re a lapsed fanboy or fangirl, Comics101 is a great way to slide yourself back into the fold, or if you’re in a relationship or are friends with someone who’s expressed interest in sharing your love of comics but don’t know where to begin, Comics101 is a fantastic primer to get them started. Feel free to explore the online archive, or check out the expanded physical publication from 2009 that Scott co-wrote with his Comics101 cohort Chris Ryall!
Hi Scott! I know your favorite character (or one of them) is Hank Pym as Ant-Man (or really any of Pym’s heroic alter-egos), but I also know you have a lot of fondness for Hawkeye. After Jeremy Renner’s cameo in Thor, are you looking forward to an expansion of the character’s use in The Avengers? Sub-question: said cameo reminded me an awful lot of his “first appearance” in Ultimates several years ago. In fact, excepting Ed Norton’s depiction of Bruce Banner/The Hulk, it seems like a LOT of the plot-sourcing for these Marvel films is trying to offer up some sort of synthesis between Mark Millar’s arc and the origins of the characters as told by Stan Lee. Thus far it seems (to me at least) that the various writers and directors attached to these projects are weaving the two together pretty deftly. Would you agree? If so, how do you feel about that, both as a moviegoer and a fan of the printed stories? Would you prefer a more purist adherence to the original stories?
If Hawkeye is used in the AVENGERS film half as well as he’s been used in the current AVENGERS cartoon series, I’ll be extremely happy. As for THE ULTIMATES, I’m not seeing as much of an influence as you are. I think you might be getting that feeling just because the films are so modern and current, which was what made ULTIMATES feel so fresh. (Ed. note: This is probably true.) But for both IRON MAN and THOR the characterizations are very much classic Stan and Jack to me, and I don’t feel much Millar at all.
Keeping with the theatrical theme of the last question, who would you say is winning the current box office battle between the Big Two? Not necessarily in terms of receipts, but as purveyors of entertainment? Christopher Nolan’s treatment of Batman is pretty much beyond reproach, but Superman Returns, while charming and, in my view, underrated, was a bit of a flop both critically and commercially, and as much as I like Mark Strong as Sinestro, I just can’t seem to get exciting about Green Lantern. This is my long-winded way of asking what’s better to have on your report card: an A+, an A, a B, and a C- (DC’s), or a solid string of A-’s, and B+’s (Marvel’s)?
Marvel has certainly had the better string of hits lately, but they’ve had their fair share of lemons, too. For every SUPERMAN RETURNS, there’s an Ang Lee’s HULK; for every JONAH HEX, there’s an ELEKTRA. And so far, Marvel hasn’t produced anything on the level of DARK KNIGHT RETURNS yet. Frankly, I don’t see it as a win-lose situation. Kick-ass superhero movies mean we all win.
Now, besides publishing an expanded collection of your Comics 101 columns back in 2009, you’ve also been doing more and more writing of actual comics thanks to your association with Chris Ryall and IDW. How has that been as a creative experience? Most of your work as a writer thus far has been with existing franchises like Star Trek, Buffy, Angel, etc—are there any plans or aspirations to create a wholly new title?
Well, writing the comics has always been the real goal (after setting it aside for a few years following the passing of Marvel editor Mark Gruenwald, who was a bit of a mentor of mine, and whose unexpected departure kind of took the joy out of comics for me for a while), so the fact that I’ve been able to step back into it and fulfill this childhood dream has been nothing short of spectacular. I’m planning on keeping it going as long as possible. As for an original creation, all I’ll say for now is “yes” and “stay tuned.”
Such a tease! Speaking of your writing work, Comics 101 readers have been lucky to have you sort of lift the curtain a bit from time to time and show us the creative process that goes into your books, at least as far as the back and forth you have with the pencillers and inkers in Italy. I’ve been wondering for a while: when you first send them the script, how detailed do you get in describing the action in the panels? Are you more on the Alan Moore/Neil Gaiman end of the spectrum, or really hands-off the way Stan Lee was with Jack Kirby?
Actually, I’d say somewhere in the middle. I try and give my artists as much instruction and detail (and reference material) as I possibly can, but I always tell them that I trust their instincts as storytellers, and if they see a way to improve what I’ve laid out, by all means do so. Sometimes they’ll run it by me first, sometimes they’ll just go ahead and do it, but I’ve never been unhappy with what I’ve gotten back. I’ve been amazingly lucky in getting to work with such talented folks.
OK, now on to the fun stuff…favorite artist from each of the “ages” (Golden, Silver, etc)?
Too many to name any single favorites, but just to name a few: For the Golden Age, aside from the obvious like Will Eisner, I really like the Fawcett guys like C.C. Beck and Mac Raboy, and I’ve got a real soft spot for Bernard Baily’s HOURMAN and Jack Burnley’s STARMAN. And Carl Barks. For the Silver Age, of course it’s the usual suspects: Jack Kirby, Steve Ditko, John Romita, John Buscema and Carmine Infantino. I’d also list some unsung heroes like Dick Dillin, Ross Andru and Bruno Premiani. And although you didn’t ask, as far as artists working today (recusing myself from mentioning my friends David Messina, Elena Casagrande and Sara Pichelli, who I think are some of the best-kept secrets in comics (though Sara is getting some much-deserved attention on ULTIMATE SPIDEY)), I’ll buy absolutely anything by George Perez, Tony Harris, Adam Hughes, Amanda Conner, and Darwyn Cooke.
Which character has the best logo? Best costume?
The best logo is still the classic DC Superman. Instantly recognizable and iconic. As for the best costume, I think the Fawcett Captain Marvel has an elegance about it that’s pretty hard to beat.
Which character has the best super-power(s)?
The Legion of Superheroes’ Matter-Eater Lad, hands down. He eats stuff.
Which character has the worst super-power(s)?
See above.
Seriously, though, Doug “Cypher” Ramsey of the New Mutants came up pretty short in the super-power lotto. “Super-linguist” isn’t much good against Juggernaut, unless you can convince him to play Scrabble.
All-time, which publisher is your favorite, based on cumulative quality of output (IDW aside)?
I was raised on superheroes, so it’s always gonna be Marvel and DC for me, and I can’t pick one over the other. As for current output, it’s always in flux; these days, Marvel really seems to be firing on all cylinders.
Congratulations! You just became the king of Hollywood. Pick ten comic-based properties you’d like to develop and cast the three main roles (hero, love interest, villain) using any actor, living or dead.
First off, I prefer the title “Vice-President of Showbiz” (any Hollywood Babble-On listeners out there just laughed), and I’ll stick to the living, thank you very much. Still, 10 properties? That’s a lot of development. I’ll give you five.
ANT-MAN: Alan Tudyk as Hank Pym, Amy Acker as the Wasp and John Malkovich as Egghead.
DR. STRANGE: Ed Norton as Dr. Strange, Kat Dennings as Clea and Ian McShane as Baron Mordo.
SHAZAM!: David Boreanaz as Captain Marvel, Paul Giamatti as Sivana and The Rock as Black Adam.
FLASH: Chris Pine as Barry Allen, Alicia Witt as Iris West and the voice of Alec Baldwin as Gorilla Grodd.
THE SEVEN SOLDIERS OF VICTORY: Nathan Fillion as The Vigilante, Viggo Mortenson as the Crimson Avenger, Daniel Craig as the Shining Knight, Brad Pitt as Green Arrow, and Bruce Campbell as Stripesy. We’ll cast unknowns for Speedy and the Star-Spangled Kid.
Many thanks to Scott for his great answers to silly questions. If any of YOU guys would like to do the same, you know the drill as it pertains to fans: send me a pic of yourselves in some Ex-Boyfriend gear and I will happily send you some fun questions
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